Review by Roar RAWWRRRSurreal and original! this novel is not shy to expose the naked elements of the human soul warts and all, as well as naked form the human body. In an odd way i feel the best effect this book had on me was an exploration of the flaws involved with hedonism centered around an individuals purchasing power. I love the aesthetic role of the islands various marvels. The protagonist is a scummy terrible person which i find makes it all together fascinating, providing a glimpse into the psychology of someone who i entirely do not relate to is an exercise for my brain. Overall i found this book to be a treasure of literature and a novelty of writing and illustration.
Review by Kryssanne AdamsMurakami's protagonist, Mr. Wind-up Bird, spends a lot of time at the bottom of a well as he mourns for the inexplicable disappearance of his wife. This book kept me great company when I felt like I needed to spend some time at the bottom of a well just to think.
Review by Kryssanne AdamsI'm retraining myself to enjoy reading again after severely impairing my attention span; at this time in my life, it's difficult to finish reading anything cover to cover. However, I had no issue with Jitterbug Perfume. What a joy to get lost in! This book has everything I want to zone out with: intricate descriptions of beets, the history of perfume, an invisible Pagan identifiable only by his wretched stench, and multiple stories woven together across multiple timelines. It all just works somehow.
Review by Kyle BeckhornFreaky book. Follow the perspective of "OPERATIVE ME", a terrorist from some new totalitarian state that idolises basically all leaders that have shown hostile force against The United States... "Operative me" is a foreign exchange student, with the mission of executing "OPERATION HAVOC". He is nicknamed Pygmy, because his American host family and peers view him as a small, dumb, poor little creature that just needs a little American culture and Christian faith. Those are the ingredients to prosperity and happiness, right? The host family is wonderfully dysfunctional, with a father who does top-secret government work, a mother who is always stealing batteries from her kids to power up and test drive the newest vibrators on the market. Then their 2 children, who routinely "Roofy" their parents in order to steal the family car, stay out late, or otherwise break the house rules. There was a violent scene early on in the book that almost made me return it, but if you can get past that, its pretty good. Written in a disjointed style, like nothing I've ever read before.
Review by Irene ValloneSubverted my expectations in a way that I'm still considering, almost a week later, whether or not I appreciated. I was expecting a more explicit account of the poet's relationship to gender; what I read was somehow even more personal, and left a real emotional impression on me in a way that a lot of similar poetry has failed to do.
Review by Cody HarderFilth porn barf bling, laced with hallucinogens. GROSS!! . . . I like it.
Review by Cody HarderI have read "Arsene" three times over the course of several years, and it's just as enjoyable each time. In it, the author, Olivier Schrauwen, relates to us a (very) colorful tale of how his grandfather, Arsene, came from Belgium to "the colony," and his venturous time there. A delightfully heady blend of absurdism, abstract art, and surreal story-telling almost reminiscent of Don Quixote, "Arsene" is full of dry wit, thoughtful prose, and downright outrageous instances of bullshit artistry. I laugh like a lunatic whenever I read it! Beware . . . the lEoPaRd MeN . . . :0
Review by Cody HarderPretty decent filth. It kind of reads like watching 15-20min Ren and Stimpy cartoon set in Ner Arlnz; that said, you may find this funnier if you have experienced the crusty side of New Orleans (??) yourself. As the author suggests in the "foreword" (?), expect to get mo stupider after reading this. Hey, feels good man...
Review by Bill SvobodaWhat a wonderful and healing book. Enjoy.
History of the Labor Movement in the United States Vol 1; From Colonial Times to the Founding of the American Federation of Labor
Review by Bill Svoboda
Review by Bill SvobodaAn especially good title! . Some minor quibbles about what WASN'T included-but this is still a great book. Four and a half stars.
Review by Nathaniel KiddWegner's learned study of utopic geography and attempt at mapping modernity through spatial history falls squarely within the "outside of the box" box of contemporary critical theory, charting a trajectory through a canon of utopian literature that helps us to name the historical and philosophical freight of these fantasies. Wegner might be better read in dialogue with Radical Orthodoxy, and the recent insights developed by Milbank and Taylor, viz., that the "secular" in its medieval and classical conceptualization is not so much a space as a time, such that the the attempt to spatialize imaginary communities actually involves a violent expulsion of any notion of sacral space in the service of a progressive vision. The absence of engagement with this insight, in my view, makes Wegner's work insufficiently critical as a critical perspective. Nevertheless, it is a valuable member of the library collection in speaking to the structure of a variety of imagined alternatives to existing sociocultural spaces and structures.
Review by Nathaniel KiddCarrier might well be congratulated for offering a comprehensive and systematic account of his personal worldview: an ambitious book that is, on the whole, lively and comprehensible. Indeed, such a production is no small achievement. But while the system Carrier lays out is (presumably) satisfying to him, the extent to which it would satisfy anyone not already disposed to agree with him is another question altogether. Perhaps the fact that this book is self-published, and receives its reception and acclamation from the diffusive atheistic humanist community of "infidels.org" rather than an established channel of research, review, and reflection, offers some indication. Carrier's project rests, somewhat comically, on a giant circular argument: assuming both (1) a universe utterly free of any supernatural substance of any kind and (2) the intrinsic meaningfulness of such a universe, Carrier goes on to defend these propositions by ... well, he doesn't defend them, actually, he just lays them out with bravado, and unshakable confidence that any other way of approaching the questions is either inferior to his own, or irrelevant to the conversation. Carrier might be forgiven for this: certainly, to some extent, most worldviews can be reduced to hermeneutical circles of this sort. But the concurrent assertion that he and his small band of atheist friends have alone mounted on the wings of Reason to arrive at Ultimate Truth reflects a rather staggering hubris, and leaves little wonder as to why atheists are often regarded as among the most aggravating and antisocial of subcultures. The tone, indeed, is reminiscent of the apologist who comforts the faithful by patiently explaining how the apparent contradictions within their Scriptures are not, in fact, contradictory. While such arguments have a place within the community, they are not especially impressive to those outside of it. Such failings are, perhaps, to be expected. Without question (and by his own admission, no less) Carrier is a True Believer -- he is determined to believe only that which is True (with a capital "T.") Within this pursuit, he is utterly untroubled by any doubt as to whether there is such a thing as Truth, nor does not give a thorough contemplation of the limitations on the human mind that would reach out for it. The end result may work as a catechism for modern atheists -- and it seems, generally, to be representative of the movement -- but in broader perspective, the work is more sophomoric than philosophical. Carrier evidently loves to read and argue and think, but he has not yet had an encounter the kind of careful, disciplined, sustained criticism that could help him name and question some of his own driving assumptions. For these reasons, it may be advisable even for the confirmed atheist to pass on Carrier, and look for a work that is more carefully wrought, deeply thought, and characterized by epistemic humility rather than Carrier's insuperable swagger. Still, the breadth and brevity of "Sense & Goodness" is not without is commendable qualities, and those attracted to (rather than repulsed by) the Carrier's sweeping approach and the pugnaciousness of his brand of atheism may find plenty to admire in its pages.
Review by Nathaniel KiddMethodologically and historically thought-provoking -- and of intrinsic interest to our region -- Morrissey's book lacks a clear structure and compelling argument. Moreover, the library copy has been very heavily annotated in sections, making it less than compelling as a reading experience. If worthy of thoughtful perusal, then, a better presentation of the subject remains a desiderium.
Review by Aidan FayNeil Gaiman called this "the single most beautiful, solid, unearthly and unjustifiably forgotten novel of the 20th century." I donated this so I'm biased but I like it so much that the act of merely donating it made me excited. It's about a wealthy town with an unhappy mayor who yearns for something exciting in life which comes when his son eats illegal fruit from Faeryland, the country bordering his own but never spoken about in polite society. This was written in the 1920s and was republished in the 1960s in The Ballantine Adult Fantasy Series, which also re-popularized books like 'Gormenghast' by Mervyn Peake and 'The Lord of the Rings' for the hippy era. And its editions have incredible cover art. If you wanna see some cool shit look up Bob Pepper.
Review by Meg DukeAbsolutely incendiary. Tortuga's letters ignite the fire within and remind us why we fight; letters to Tortuga and a compilation of subsequent anarchist actions weave a web of solidarity that defies the isolation of our age and unites international struggles for freedom against systemic oppression.
Review by Bill SvobodaIt is both amazing and heartbreaking that practically all of this is so completely current. Highly recommended.
Review by Bill SvobodaReviewing a book about porn is safe and easy compared to reviewing a book about food & dietary habits. This book is a fierce crusade against vegetarianism in general and especially veganism. In my case, Lierre Keith was pretty much preaching to the choir- and NOT to the audience she's especially trying to reach (girls up to their middle teens). Even so, I felt she went overboard with some of her arguments -especially in the "Nutritional Vegetarian" section-I almost expected to look out my window and see malnourished, dead and dying vegetarian/vegans littering the landscape. The Vegetarian Myth is full of passionate and/or well documented arguments- but I'm not certain how effective arguments are against Myths-or if the way to a better world is through denouncing what others do or don't eat.
Review by Bill Svoboda Another "three and a half stars", actually. If you skim this, it might seem like a combination of Thomas Pynchon, Hunter S. Thompson, and Susie Bright- and you'll be impressed by what a perceptive and insightful guy Zak Smith is. If you read it word by word, sentence by sentence, it becomes tedious- I started wondering who the editor was-or if there WAS an editor. In case you're wondering- much (most?) of both text and illustrations aren't especially sexually explicit and /or "pornographic"-most of the latter ARE however very punk-often with obsessive/surrealistic/psychedelic elements as well. The best part of We Did Porn is the "we" part- the stories of & about the people in the porn industry- too often the book was "I Did Porn".
Review by Meg DukeCurrent and culturally relevant, this collection of Passmore's short comix is simultaneously hilarious and wicked serious. You'll be laughing... with furrowed brow... Recommend.