Review by Nathaniel KiddDeloria is well regarded as one the great pioneers in giving the indigenous voice credibility, and this book -- which he identifies as one of his most enjoyable to write -- certainly does not disappoint as a classic example of his thought and method. Throughout critical of the modern western institutions of religion, law, education, politics, and science, Deloria in this volume takes particular aim at scientistic narratives, uncovering some of the tacitly racist motivations in the formulation of evolutionary theories, and anthropological theses regarding the population of the Americas, but throughout he traces the interweaving of different techniques of dominating power woven through the dogmatic articulation of modern common sense. Ever the iconoclast, Deloria proposes that common truths are not, by virtue of being commonly held, therefore true, and challenges the hegemonic systems of contemporary knowledge to make way for additional ways of being and knowing. In all, it is a lively and enjoyable read; although his argument might have been strengthened by being more reflexively self-aware -- viz., tracing the parallel with other liberationist moving, and asking the question whether the convergence of liberationist voices might itself be a shadow of the dominant systems in need of an alternative.
Review by Nathaniel KiddThis short and powerful 14th C text is one of the foundational classics of medieval English spirituality. Drawing on the tradition of symbolic and apophatic theology of Dionysius the Areopagite, the Cloud brings into the English language and idiom the deep riches of the Eastern Christian mysticism of late antiquity.
Review by Bill SvobodaAn Anarchist and a Communist are in the same car together. Who is driving? (Answer at the end of this review!) For me, this book was most valuable as a kind of "political autobiography" of Staughton Lynd. He is not exactly a "typical" Marxist- really he's more of a leftist Saint (along the lines of Eugene Debs). This book was published ten years ago-during happier times. While there was and still is much to be learned from both Wobblies and Zapatistas, there are serious problems toward adopting either one as a blueprint for success in today's USA. Answer: A cop.
Review by Madeline MoultonThis is the one, it's it it's it it's it! Heavily imbued with natural imagery, magic that is Classical, specific Rothfuss-brand, and no-fuss ref/reverential towards global histories, Patrick has really done it. Some cool context: this one was 15 years in the making, and boiz does it show. Extremely thoughtful and endearing, the cheesiness is a welcome reprieve from the (at times) sad plot. But tragedy or travesty or comic or simply fiction, fear not - worth the emotional roller coaster to the max. The Name of the Wind remains secretive and elusive, but it's also accessible as all heck. (As far as a super long, super fantasy fantasy goes). hella dank.
Review by solars.biz
Review by Alexander ChadseyThis series was amazing! It starts off a little slow, somewhat resembling the standard ‘super-person’ comic ( this was nearly enough to make me quit it halfway through the first volume), but makes up for it with a literally mind-warping journey of the consiousness, soul, and spirit realm(s). If you’re interested in the Tarot, Kaballah, Alleister Crowley, synchronisities, and how to manifest your reality, then this series is for you! It pretty much reads as a beautifully trippy illustrated guide to the above!
Review by computer-arts.info
Review by Madeline MoultonFrantz Fanon left a mark on our world with this one. Psychiatry be damned, this doctor had ideas, and he had the where with all to say 'screw the system', something here seems wrong, and Algeria is my passion. Or some such histoire, non? Either way, worth a read any time of the eon. RIP Stuart Hall, and long live la revolucion.
Review by Bill Svoboda Definitely a catchy title! This is another "half star" book-as in "three and a half stars". Lots of "good" (i.e. horrific) stuff here. Trying to give a larger overview leads to a lack of focus- by far the most moving parts of this are Chris Hedges own experiences,thoughts and emotions- this book would be so much more effective if it were even more personal/autobiographical. I know from other reading what a fan Hedges is of a classically "humanist" education-but to properly analyze war throughout the ages requires science as well (sorry, but the various Shakespeare quotes did absolutely nothing for me-especially when juxtaposed with real and recent events).
Review by Bill Svoboda"A bit lumpy" (as I can imagine one of The Pythons saying)-as in, there's a great big lump of all one thing, followed eventually by a great big lump of something else. But it does seem to be pretty honest. If you're a much bigger Monty Python fan than me (meaning seriously fanatical) you might want to give this 4 stars. If you don't like Monty Python, you'd probably give it 2.
Review by Bill SvobodaIn the Author's Note at the beginning of the book, Humphrey Carpenter mentions that the first published biography of a subject is not necessarily the best place to make literary judgements- fair enough. He also avoids spending much time analyzing or criticizing the whole phenomena that LOTR has become (in 1977 this was already huge, but had hardly reached it's peak-both in terms of popularity and in over-all cultural influence). Respectful and well researched, this is a "must read" for Tolkien fans and/or those simply curious about J.R.R.
Review by Cody HarderReading "Frank" regularly keeps me regular.
Review by Kryssanne AdamsSo yeah, as Alex said, this story is not focused on Buddha himself; Siddhartha isn't even born until the very end of the story. BUT, there's a reason for that, and it makes itself apparent as you read through the series. Yes, this series is a dramatized biography of Siddhartha, but it's also very (fictitious and real-life) character driven way that takes time to pay off; it's not JUST about the Buddha, it's about the people the Buddha loves too. Tatta is the his first disciple, and this is the story of his painful and traumatic childhood. It takes the whole series to come around and become fully relevant, but it does! Slow pacing on this story, but I promise it's worth it and if you keep reading, you'll learn how everyone's fate is entangled. Tezuka is brilliant.
Review by Alexander ChadseyThis book changed my life in the most profound of ways. After finishing a degree in environmental science and becoming increasingly disenchanted with the seeming futility of “environmental activism,” I found the insights of this story incredibly timely and relevant. It’s told in the form of a Socratic dialogue between a telepathic gorilla (just get past that) and a cynical, but well-intentioned, man who discuss the hubris of human dominance, and how the stories we tell about our superiority are destroying ourselves and the biosphere we depend upon. Daniel Quinn could be regarded as more of a philosopher than a fiction writer (though he has a few non-fiction books ‘Providence’ and ‘Beyond Cicilization’ which detail his journey and more succinctly lay down his core beliefs). While none of his writings will give you plain, easy answers to our problems of civilization (I wouldn’t trust him if he did), it does provide one with the tools and foundation of thought to create something that works for us wherever and however we might live. If you have never read about post-civilization theory, but have thought about the seeming hopelessness of saving the biosphere that we are (not so) slowly killing, then this book is for you.
Review by Bill SvobodaTwo things about this book really stood out to me. The first, is that while this covers ground similar to many other authors (particularly American and male), and has so many influences (Thom Jones said he'd read at least 10,000 books-and I'd bet good money some of them were by Stephen Crane, Charles Bukowski, and Nelson Algren ) this book comes off as fresh and deeply personal. The second standout is while these stories may be bleak and/or violent, the overwhelming emotion I felt after reading them was compassion. Jones's "outsider" sensibility permeates every story.There's also some humor. One of the stories ("The Wipeout") is kind of a sly homage to Nelson Algren (and his affair with Simone de Beauvoir). Jones died in 2016- RIP.
Review by Bill SvobodaA thoroughly researched, well written, thoroughly depressing book. I read this when it was so smokey outside even my dog didn't want to leave the apartment-which I'm sure influenced my view. It seems plain to me that the response of "our" oligarchy to this is to ramp up "defense spending" even more. Christian Parenti comes across here as a more careful, less ideologically driven writer than his father Michael-for better or worse.
Review by Bill SvobodaNot exactly easy reading (I think a change in the type and/or size of font would have helped) and not the most "efficient" (for want of a better word) way to learn about Szasz & his ideas. But there is gold here for those who can dig it out. And also, this book was/is a labor of love on the part of the authors. I especially liked chapter 5 "What Follows from the Nonexistence of Mental Illness?" Changing the wording from "Mental Illness" to "Problems with Living" was, for me, much more than a matter of semantics- it completely changes a label ("Mental Illness") seemingly designed to stop further thought/inquiry (much like the term "homeless") into something which tends to compel further (and original) thinking.
Review by Bill SvobodaEven if this book were somehow NOT about Kristin Hersh and the Throwing Muses, it would still be good. This is skillfully written, enjoyable, surprisingly(?)fun and yes, it really goes into detail about the music/songs. If you're a Throwing Muses fan this book is especially for you.
Review by Bill SvobodaThis book had me from the very beginning (aka "Trickster Coyote and his mythical meth lab"). Weirdly (?)"Gods Without Men" somehow reminded me of "Look Homeward Angel' -even though it's a completely different sort of book. Perhaps because I had to stop reading every so often because it was sooo good.
Review by Bill SvobodaOften I find myself wanting to give "half star" ratings-for example, a three and one half star rating for "In The Night Garden". Having so many stories within stories within stories creates "logistical" problems for the reader-for example: Is it better to read the entire book straight through? or in little bits and pieces? Having more illustrations-especially in color-would elevate this to a solid 4 star.