BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//alt.lib - ECPv5.9.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:alt.lib
X-ORIGINAL-URL:https://altlib.org
X-WR-CALDESC:Events for alt.lib
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20180101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20180110T193000
DTEND;TZID=UTC:20180110T230000
DTSTAMP:20260415T153034
CREATED:20171207T090156Z
LAST-MODIFIED:20171207T090156Z
UID:20814-1515612600-1515625200@altlib.org
SUMMARY:Cult Film Night w/ Arrington de Dionyso and Benjamin Bennett
DESCRIPTION:Each Wednesday night the Alternative Library hosts a film screening\, usually focused on cult classics or art films. For this instillation\, we’ll be showing the film “Reak: Trance Music and Possession in West Java” by director\, Arrington de Dionyso\, who will be in attendance\, and will also be performing a set of improvised music under the moniker\, This Saxophone Kills Fascists\, alongside percussionist Benjamin Bennet.\nhttps://en.wikipedia.org/wiki/Arrington_de_Dionyso \n— \nPreceding the film\, Benjamin Bennett will be performing a set of solo percussion music. Benjamin Bennett has worked as an improvising percussionist for 10 years\, touring North America and Europe as a soloist\, in various ensembles\, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free-jazz\, free-improvisation\, Berlin reductionism\, and extended technique playing as its foundation. In searching for an expanded sonic palette\, and more fluid movement between various techniques\, he distilled the drumset into a small collection of drumheads\, stretched membranes\, and other objects which offered a wide variety of unconventional sounds from very few materials\, which could be rearranged into different combinations during a performance. This aesthetic development also translated to a practical advantage\, in that this setup was small enough to fit into a backpack\, freeing him from using a car to transport heavy percussion gear. He began touring by bus and bicycle\, even completing a 7-day\, 7-show bicycle tour through New England.  \nContinuing on this path of aesthetic and practical dematerialization\, or doing more with less\, he has found ways to extend his performance practice into movement\, voice\, and video. While these newer outgrowths are a result of a radical and perhaps esoteric interpretation of the history of music\, they have proven to be readable and accessible outside of the sphere of music. \nIn 2014\, Bennett began a YouTube series entitled “Sitting and Smiling”\, in which he sits cross-legged on the floor\, smiling directly at the camera without moving\, for four hours at a time. It can be viewed live\, and is recorded for playback. His channel went viral in January of 2015\, creating an internet/media buzz and getting coverage from The Atlantic\, VICE\, Gawker\, TechTimes\, and other outlets. It was live-streamed at the Museum of Contemporary Art Australia\, and has received more than 11 million views worldwide. \nBenjamin tours actively from his home base in Philadelphia\, where he also continues his internet-based performances. \nRSVP and more info – https://www.facebook.com/events/2011893792432975/
URL:https://altlib.org/event/cult-film-night-w-arrington-de-dionyso-and-benjamin-bennett/
CATEGORIES:Concert,Film Screening
END:VEVENT
END:VCALENDAR